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I first studied ceramics in the nineties as part of my Art Education degree, but without access to a kiln or wheel, my practice gradually fell away. During Covid, I rediscovered my love of clay and the unpredictable rhythm of making—from forming to glazing. Working with porcelain, both delicate and demanding, reflects life itself: full of challenges and surprises. My Misty Mountain collection draws inspiration from the shifting glazes of mist-filled days in the Blue Mountains, where I live and work.

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